The visual direction for this project approaches music and imagery from a deliberately understated, light-hearted position. In line with the first EP’s title naps in parking lots, the imagery centers on moments of pause – casual, unremarkable scenes encountered while moving through the city or along the road. The photography embraces a restrained, almost unprocessed aesthetic, referencing the visual language of spontaneous phone images and quiet documentation. Subtle graphic interventions – hand-drawn marks and simplified pixel objects – appear intermittently as a digital reflection of everyday mundanity. The approach aims to lift off the weight of perfectionism and instead create a vibe that mirrors the musics relaxed, unhurried, and casual atmosphere. Rather than an absence of intent, the informal quality becomes an intentional aesthetic decision on its own.